How The Artist Painted Sun Dappled Loon

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Loon And Deep Green Reflections. Eagle's Success At Last. Hey Mom, I Fell Off. Loon And Chick At Dawn. Early Morning Snuggles. Peony After A Summer Shower. Shirley Temple Peony Unfurling. Framed Queen Anne's Lace. Purple Lupines In Dappled Sunlight.

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Rhododendron In Black And White. Eastern Tiger Swallowtail And Rhododendron. Framed Blooming Purple Bearded Iris. Hummingbirds Meet. Search Type Keyword.

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Toggle Mobile Navigation Menu. Greeting Cards Spiral Notebooks. Discussions Groups Contests Events. Wall Art. Art Media. House Styles. Home Decor. Phone Cases. Men's Apparel. Women's Apparel. Youth Apparel. Sandra Huston Shop Purchase canvas prints, framed prints, and more featuring artwork from Sandra Huston. Welcome, I am a passionate nature photographer, artist and author of 'Loons of Tacoma Lakes', a book celebrating the love of loons.

I have been drawing animals and taking photographs from as long as I can remember. In I went professional with my first international website, offering fine art photography and commissioned pet portraits. It was not until after my first book was published that I truly became interested in digital photography as a true art form. With digital photography the sky is the limit and I truly enjoy sharing the wonders of nature that Maine and Results: 1, Filters.

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How The Artist Painted "Sun Dappled Loon" - Kindle edition by Tanya L. Provines​. Download it once and read it on your Kindle device, PC, phones or tablets. How The Artist Painted "Sun Dappled Loon" eBook: Tanya L. Provines: Amazon.​in: Kindle Store.

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Colors All. Tags nature water original maine contemporary wildlife wild unique lake waterfowl home decor common loon litchfield photograph sunlight avian white green sea foam animal blue seascape waves black. Stationery Greeting Cards. Born in Canada to Dutch parents, he sports a cowboy hat and a wide grin to accompany the many anecdotes that spill from his lips. The day off: In his downtime, Pete heads beyond the well-worn trails of the inner canal belt and explores the countryside north of Amsterdam — a realm of dykes and polders that feels a world away from the city.

His preferred route out of town takes him through a few less-visited corners of Amsterdam, such as the Western Islands, where cobbled streets weave past wild gardens and handsome old warehouses decorated with colourful ship-sail shutters. At the nearby ferry terminal, passengers pile on to whirring ferries for the short journey across the IJ lake to the modern borough of Amsterdam-Noord.

This wide spine of water once ferried goods from the North Sea. Now, on a warm day, families mess around in boats and teenagers leap noisily from a bridge into the depths below. Further on, the landscape unfolds into the open expanse of the polders land reclaimed from the sea. Cows and horses graze in meadows fringed with reeds and bright flowers, while herons and oystercatchers skim the glassy lines of water that form a grid around them.

The distant outlines of the spires and brick towers of villages interrupt the low horizon. Further on, the land rises and curves beside a lake lined with brightly painted houses. This cobbled row is the main street of Durgerdam, a one-time fishing village whose marina still teems with the tall masts of sailing boats. Pete often comes here with a coolbox of sandwiches and beer.

To him, the landscape, reclaimed piece by piece via dykes, ditches and windmills, is also unique for the history that has shaped it. Seeing how the whole landscape has been transformed by man, that was a phenomenal revelation for me. That is what makes the Dutch Dutch. The day job: Service is just starting at Aan de Amstel, and the kitchen clatters into life. The first diners take up their seats on the riverfront and in the white-tiled interior, overseen by a row of inquisitive anglepoises, ready to tuck into dishes of wild sea bass or Fleckvich beef. Yvette is at the forefront of a burgeoning movement in Amsterdam.

Aan de Amstel, which she founded seven years ago in a run-down snack bar, bears the hallmarks. Yvette believes the honest approach to food and the creative venues used to serve it filled the void caused by the temporary closure of the Rijksmuseum and other museums in the city. The day off: When Yvette can tear herself away from her own kitchen, she heads to the Hotel de Goudfazant for plates piled with steak tartare with smoked herring or catfish with samphire. Set on the industrial waterfront of Amsterdam-Noord, the restaurant occupies a cavernous former garage that preserves more than a little of its past life.

An intricate glass chandelier crowns an interior of metal girders and muted paintwork, with the occasional classic car parked in a corner or raised on a ramp. At one side is an open kitchen, where chefs with cowlicks and stubble tend to steaming pots and neat rows of white plates. The restaurant is the vision of restaurateur Niels Wouters and his friends, who, with limited funds, decided to take a DIY approach to the design, recycling nearly everything from the garage. Their passion has paid off, with the restaurant becoming an instant hit. For her own DIY creations, Yvette finds it hard to beat the selection of fresh local produce at the Saturday market at the Noordermarkt, a canal-side square in west Amsterdam.

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There are crates of glossy cherries and bristling artichokes, pyramids of spices and baskets of delicate mushrooms: lemon yellow, inky blue, rose red and curled like petals. One stall is heaped with fat discs of cheese from a nearby farm, while another sells cockles and oysters, fresh from the North Sea. The day job: Willemijn van Breda talks spiritedly as she steers her small boat down the treelined canals of west Amsterdam, pausing only to answer the intermittent crackle of her radio mic or pull off an especially tricky manoeuvre.

Having spent much of her childhood living on an old Dutch river barge, taking to the water once more felt natural. On the water, in the water, I feel different to how I do on the street. Willemijn is a qualified historian and her love of water is rivalled only by her love of art and architecture, which she also brings to her tours.

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The day off: Montelbaanstoren is an elegant whitespired tower on the eastern tip of the old town. Although today it stands sentinel at the junction of two canals, it once looked out to sea. Initially it was part of the city walls, but in the 17th century it had a more poignant role as the departure point for sailors voyaging to Asia. Just metres from the Prinsengracht is another of her favourite places, the Van Brienenhofje.